This week’s readings were primarily concerned with issues of accessibility and the multi-layered
concern of technologically generated opportunity, achievement, and socialization gaps – particularly as
these relate to youths of low socio-economic strata as compared to their more privileged peers. One of
this week’s readings, “Bridging a Digital Divide that Leaves Schoolchildren Behind”, interrogates the
very tangible concerns of the politics of possession (who can possess smartphone and internet
technology versus who can’t), but is lacking in a more wholistic overview of the gaps presented by
these technologies. Meaning, in addition to simple possession, there need also be a conversation
surrounding the innately discriminatory nature of the language of smartphone technologies and who is
allowed to be a part of its conversations.
Though much analysis in these articles was dedicated to the physical, economic, and educational
implications of those who posses smartphones versus those who don’t, there is also a very interesting
tension even amongst those who do have smartphones that is exemplified in the Android/iPhone
divide. More specifically, I’m interested in the establishment of the iPhone as the ultimate, and
defining, cultural authority. For example, Gretchen McCulloch’s article “Emoji and Other Internet
Gestures”, analyzes the emergent language of emoji in modern American society through digital
conversations. In her analysis, McCulloch explores the ways in which certain emoji (emblems)
demand to be seen with very specific visual criteria, else their fundamental usefulness and meanings
become undermined. To use a “wrong” emoji is to commit a social faux pas that leads consumers to
“[feel] as foolish sending the wrong [looking] emoji as [they] would giving the middle finger
backwards or crossing the wrong two fingers.” (McCulloch 163)
However, something to note is that determinations of these “correct” looking emoji are interestingly
not derived from their various independent origins, but rather from the Apple released versions of
them. Apple did not invent emoji, nor does it have a monopoly over their invention or release, but the
advent of Apple products did insert emoji (with these codings and visual cues) into a hegemonic
mainstream that has made these versions the alleged “purest” form in the American cultural
conscience. The strength of the convictions surrounding something as seemingly innocuous as emoji
imagery demonstrates the extent to which inequities persist even amongst those with the privilege of
smartphone accessibility at all. If it is such a significant social error to send the “wrong” emoji form - a
programming issue of which consumers themselves have little control - what does that say about who
is allowed to fully participate in these emergent language forms? This engrained societal awe of
Apple, Apple products, and the languages they produce seem to very directly contribute to the
foundations of a sociocultural hierarchy in which Apple users are positioned at the very top. This
effectively leaves Android users (oftentimes the more accessible device) exiled from the realm of
cultural contribution.
In short, this creates stringent social stratifications between Android/iPhone users and complicates the
(false) understanding that sheer access constitutes equity.
Citations:
Kang, Cecilia. “Bridging a Digital Divide that Leaves School Children Behind.” The New York Times February 22, 2016.
McCulloch, Gretchen. “Emoji and Other Internet Gestures.” BecauseInternet. New York City: Riverhead Books, 2019. p. 155-196.
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